St. Trigger, Minneapolis, Minnesota: Button Poetry/Exploding Pinecone Press

Item

The covert art for St. Trigger features a Catholic stained-glass window in shades of blue, including different haloed Saints.
Title
St. Trigger, Minneapolis, Minnesota: Button Poetry/Exploding Pinecone Press
Description
Coleman incorporated all but one poem from this chapbook, winner of the 2016 Button Poetry Prize, into his book Threat Come Close.
Date
2016
Type
Books
Format
Book
JPEG, 300 ppi.
Creator
Coleman, Aaron
Extent
5.5 X 8
Language
English
Spanish
Medium
Paper
Publisher
Button Poetry/Exploding Pinecone Press
Relation
The covert art for Threat Come Close features a young Black man with a cast on his left arm seated in a metal folding chair reaching up to angle a heat lamp towards his upturned face. The lighting is dark, and he is cast partly in shadows. The title of the book Threat Come Close is in black all caps, and Coleman's name is listed in the bottom in white text.Threat Come Close, Tribeca, New York, NY: Four Way Books
Source
PS3603.O5146 S78 2016
St. Trigger. Minneapolis, Minnesota: Button Poetry/Exploding Pinecone Press, 2016
Identifier
Coleman-St-Trigger-969926723-cover.jpg
Rights
Rights Statement
Item sets
Wherein I am: Highlights from the Aaron Coleman Papers
Site pages
St. Trigger, Minneapolis, Minnesota: Button Poetry, 2016
Media
The covert art for St. Trigger features a Catholic stained-glass window in shades of blue, including different haloed Saints.St. Trigger, Minneapolis, Minnesota: Button Poetry/Exploding Pinecone Press, 2016

Linked resources

Items with "Relation: St. Trigger, Minneapolis, Minnesota: Button Poetry/Exploding Pinecone Press"
Title Class
Typed draft of the poem "Self-Portrait, Mid-Western Man" with handwritten notes, such as, What is the purpose of the time keeping?¨Self-Portrait (Mid-Western Eyes)¨ manuscript
A large print of the poem "Viciousness in Ends." A palindrome that uses white space between words.¨Viciousness in Ends” large print of poem poster paper
Draft of the poem "Another Strange Land: Downpour Off Cape Hatteras (March, 1864)." The form is strophic, the lines moving across the page like water.“Red Wilderness" manuscript
Typed table of contents includes a list of poem titles alongside handwritten notes, such as "How much is too much abstraction?" Notes on thesis defense master's thesis
The covert art for Threat Come Close features a young Black man with a cast on his left arm seated in a metal folding chair reaching up to angle a heat lamp towards his upturned face. The lighting is dark, and he is cast partly in shadows. The title of the book Threat Come Close is in black all caps, and Coleman's name is listed in the bottom in white text.Threat Come Close, Tribeca, New York, NY: Four Way Books Book

Coleman, Aaron, “St. Trigger, Minneapolis, Minnesota: Button Poetry/Exploding Pinecone Press”, Button Poetry/Exploding Pinecone Press, 2016, Wherein I am: Highlights from the Aaron Coleman Papers, accessed April 27, 2025, https://digitalexhibits.library.wustl.edu/s/whereiniam/item/45248