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“Wherein I Am”: Highlights from the Aaron Coleman Papers
“Viciousness in Ends” large print of poem
The MFA Years
¨Self-Portrait (Mid-Western Eyes),” 2013
Watercolor by Elaine Goble Dandridge, Fall 2014
“I am a Man” poster, 2014
“Shadows Uplifted” draft, 2014
Notes from James Merrill Symposium, 2015
Poetry Writing 1 Syllabus, Spring 2015
Notes on thesis defense, April 2015
Fort Gondo "St. Trigger" Broadside, 2015
The PhD Years
Introduction to Comparative Literature Roundtable notes, 2016
Chancellor’s Graduate Fellowship Program pamphlet, [2015]
Framed photograph by Carly Ann Faye, 2016
Pulitzer Foundation Correspondence, 2016
Handwritten notes at beginning of PhD program, 2016
"Collision Test Fool” Rehearsal Notes, [2016]
American Literary Translators Association name tag and lanyard, 2017
Black Rep Theatre Set List, 2018
“Black Constellations” course flyer, 2019
Black Constellations Syllabus, 2019
Letter from Professor Lynn Tatlock, May 24, 2019
Speech Notes on Translating Nicolás Guillén, 2020
Kalamazoo Set List, 2021
Notes for NPR Interview, 2018
Drafts, Collaborations and Influences
"Who” draft, 2014
“Impossible Wants” cards, 2013-2015
“St. Trigger” draft, 2014
“Very Many Hands” draft, 2014
“St. Inside & Not” manuscript draft, 2015
“Self-Portrait as Tonic in Glass” draft, [2015]
Ink Drawing on Cardboard, 2016
Drafts, Publications and Awards
Southern Indiana Review acceptance letter, 2014
Threat Come Close manuscript, August 2015
St. Trigger, Minneapolis, Minnesota: Button Poetry, 2016
“A Certain Slant of Light” and “To a Hand Below” drafts, 2013
The New York Times Magazine, July 9, 2017
Threat Come Close, Four Way Books, 2018
“Red Wilderness,” 2020
An Anthology of Black American Literature, 2021
"Collision Test Fool” Rehearsal Notes, [2016]
Media
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"Collision Test Fool” Rehearsal Notes
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"Collision Test Fool” Rehearsal Notes, [2016]
